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Golden Dambulla Rock Temple (Rangiri Dambulu Temple) (A world
Heritage site)
Sri Lanka Culture Holidays: the concept - Part 2
Triple Pillars of Sri Lanka: ancient rainwater reservoirs, Buddhist temples, Buddhist Stupas

From the rainwater reservoir to the temple
And why shouldn't we begin with the most ancient temple? The ascent to
the caves, which are on a terrace of a gigantic granite outcrop
resembling a back of a giant whale is pleasant but then the Leviathan
herein, as the scorch through your shoe-soles testifies, is not
cold-blooded. The gneiss hills, one of the consistent features of dry
zone landscapes of Sri Lanka, during most of the day are hot.
Like Mihintale, the climb
herein too, is by means of steps though shorter: about 200 steps in 18
terraces. We climb for 10 minutes about 100 meters of slightly convex
surface in the shades of frangipane trees. At the highest terrace is the
Golden Dambulla Rock Temple of five caves built into the rock. Oh! From
the terrace we have a wonderful panoramic view of the surroundings dense
forest, rainwater reservoirs & flat lands, oh! yes, the view includes The Lion
Rock Citadel (Sigiriya) too about 20km away. If we dare to climb
further 50m up the hill to the very summit, we will have still superior
panoramic view.
On entering these elegantly portal led caves, we begin to feel like that
we are right inside a cozy richly decorated tent hung with brilliant
carpets. The rock ceilings are painted with intricate patterns of
Buddhist images following the natural contours of the rock, with its
gold sheen illuminating the caves.
King Valagambahu (104-76 BC)
Recent archeological discoveries have confirmed that Golden Dambulla Rock Temple caves had been a location of human habitation even during
pre-historic period of Lanka. The legends would carry us back to the
period of King Devanampiya Tissa (307- 267 BC). The history of the
ancient island records that in 89 BC caves were converted to a Buddhist
monasteries by King Valagambahu, nephew of the hero of the nation, King
Duttha Gamini. King Valgambahu was driven from his throne by marauding
Dravidian invaders from South India during the 1st century BC. The king
found sanctuary therein for long 14 years & upon regaining his kingdom,
following great battles against the marauding Dravidian Invaders from
Southern India, had the famous rock temple built in gratitude along with
great Abhayagiri dagoba at
Anuradhapura. It was a
common practice of the Buddhist monks to retire into solitary
sanctuaries away from human habitation to immerse in study & meditation.
The natural caves were used as the residence of the monks. Golden
Dambulla Rock Temple is one of most famous & most adored ancient
Buddhist sanctuaries of Sri Lanka.
Further embellishments
The cave temples were restored & re-decorated by later kings of the
Polonnaruwa. King
Nissankamalla (1198-1206AD) left his mark by having the statues restored
& murals repainted. The gilding of interior of the caves & statues with
gold paint earned the title "Rangiri" meaning Golden Rock in Sinhalese.
Even to date the gold sheen all over the ceilings, walls & statues
illuminate the interior of the rock temple. Once again during the era of
the kingdom of Kandy, King Senarat (1604-1633 AD) & then again King
Kirti Sri Rajasinha (1746-1778 AD) restored & remodeled the Golden
Dambulla Rock Temple.
150 serene statues of Buddhist Order
Within these caves, one of the best preserved ancient edifices in
Sri Lanka, is housed a collection of 150 serene statues of Buddhist
Order & the island's history.
The first cave named "Devaraja Viharaya" houses a 14m long Buddha statue
depicting the final extinction. It was carved out of sold rock. By the
head of Buddha are Ananda, Buddha’s shadowlike disciple, God Vishnu &
God Maha Sumana Saman. The cave was named Devaraja meaning the Lord of
Gods in honor of god Vishnu.
The second & the largest cave, "Maharaja Vihara", meaning "The Temple of
Great Kings" in Sinhalese was named after King Valagambahu & King
Nissankamalla whose statues are contained there among 16 standing & 40
seated statues of Buddha. Also on display are the statues of Hindu god
Vishnu &
God Maha
Sumana Saman. Throughout the entire span of rock ceiling & entire
width of the rock walls are the finest Buddhist murals in Sri Lanka.
Also painted are the epochal events of the glorious history of Sri
Lanka. The duel between the hero of the nation, King Dutugamunu &
marauding Dravidian invader Elara is graphically depicted herein with
paramount importance. The Buddha statue hewn out of the rock on the left
side of the room is flanked by wooden figures of the Bodhisattvas,
Maitreya to the left & Avalokiteshvara or Natha to the right.
There is also a mini dagoba & a spring which drips its water from a
crack in the ceiling, into a huge metal pot which never overflows. Most
possibly excess water is being controlled by an underground channel
below the rock floor on which the pot is fixed. Or it could simply be,
that the water evaporates at such a rapid rate in the dry zone, there is
no chance of overflow at all. Perhaps it cannot be explained.
The third cave, the Maha Alut Vihara is of paintings on ceiling & walls
in Kandyan tradition commissioned during the reign of King Kirti Sri
Rajasingha, the famous Buddhist revivalist. In addition to 50 Buddha
statues, there is also a statue of a king. The fourth & fifth caves are
smaller & inferior to the other caves.
Dambulla district
Historically, Dambulla has been a refuge, a monastery and an agricultural district. Geographically Dambulla is the center of the island. Culturally, Dambulla while being the home to the UNESCO World Heritage Site of Ran Giri Dambulu (Sinhala: golden rock cave Dambulla) Buddhist temple, is also located in the close proximity of Sri Lanka Holidays Sigriya Lion Rock Citadel, another UNESCO World Heritage Site. Today Dambulla is a Sri Lanka Holidays cultural attraction, an agricultural district and a transportation hub of the island.
Until the end of the Second World War, Dambulla district had been mostly overtaken by the Evergreen Monsoon Dry Forest which spread over the great north central plains of Sri Lanka. Following the independence of Sri Lanka, then called Ceylon, from the British colonialist in the year 1948, the wooded jungle, which had been an undeclared sanctuary to herds of wild elephants was mostly cleared for the cultivation of rice. Since then, the paddy fields have been irrigated by the ancient irrigation reservoir called Kandalama wewa, one of the most scenic man-made lakes of Sri Lanka.
The most prominent man-made constructions on the banks of Kandalama lake are eco-oriented green hotel of Kandalama Heritance (rooms: 152; area: 230 acre Kandalama estate) designed by Geoffrey Bawa and Rangiri Dambulla International Cricket Stadium: (seating capacity: 30,000)
Dambulla Arboretum
Dambulla Arboretum (area: 7.5 acres; year 1963) located in Dambulla is a living museum of Sri Lanka trees. Dambulla Arboretum was developed by F. H. (Sam) Popham, a former tea planter of Ceylon, resident and self-styled Hermit of Dambulla, following his retirement from the Smithsonian Ceylon Flora project. Dambulla Arboretum had been Sri Lanka’s only dry-zone (rainfall: 1270-1900 mm) arboretum until the development of Mirijjawila Dry-zone botanical gardens (area:300 acres; year: 2010) in Hambantota district (arid: rainfall 890-1270 mm).
Three wet-zone (rainfall:1900-4000 mm) botanical gardens of Sri Lanka, namely Peradeniya Botanical Gardens at Kandy, Hakgala Botanical Gardens at Nuwara Eliya and Senarathgoda Botanical Gardens (area: ; year: 1876) at Gampaha are enriched with floras different from those of Dambulla and Mirijjawila.
F. Raymond Foseberg (Botanist Emeritus, National Museum of Natural History, Smithsonian Insitution, Washington, U.S.A encapsulated the effort of Sam Popham: this has been a strictly one-man effort, motivated only by love of trees. It could serve as an example worthy of emulation practically everywhere except in the Arctic, Antarctic, and extreme deserts of our Earth.
With its sheer diversity of trees, Dambulla Arboretum is a valuable reserve of Sri Lanka and in a broader scale, the world at large. Dambulla Arboretum is based on the concept of preserving the details of the habitat in contrast to the regular biodiversity concept of grand strategies in ensuring of the diversity of such essential areas maintained in millenniums to come.
Quote F. H. (Sam) Popham "...But you can't eat trees," said the young Belgiun, so I walked him out of the woodland shade into the strong sunlight of the adjacent grassland, and went on talking until his companions pleaded to return to the shelter of trees. Unquote F. H. (Sam) Popham, Dambulla, July 1992.
A brief catalougue of the Dambulla Arboretum
botanical name; commercial name; vernacular name in Sinhala ; industrial use in general; timber density in Lbs/Cubic ft.
Diospyros ebenum or Ceylon ebony or kalu-wara: creative woodwork; 80
Chloroxylon Swietenia or Satinwood or buruta: creative woodwork; 62
Manilkara hexandra or palu; heavy construction; 72
Mesua ferrea or Ceylon Ironwood or na: heavy construction; 70
Artocarpus heterophyllus or Jak or kos: building construction; 44
Chukrasia tabularis or Chittagong wood or hulan-hik: creative woodwork; 50
Vitex altissima or Milla: building construction; 60
Cassia siamea or Siam Cassia or wa: creative woodwork; 59
Berrya cordifolia or Trincomalee-wood or hal-Milla: heavy construction; 60
Tamarindus indica or Tamarind or siyambala; creative woodwork; 80
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